Paris is going to be nothing but a series of background shots, apparently, in some strange exercise to drive me COMPLETELY INSANE. But I love that elevator. It took forever to ink and even longer to sketch initially. I feel like my ability to draw bodies in perspective is starting to improve though. These aren’t perfect, but they’re better than they would have been a year ago.  And really, I couldn’t ask for much more. With more practice I’ll just keep improving!

I don’t know if you can tell or not, but Sarah’s got hold of Michael’s arm in that first panel and is dragging him off.

Drawn in Adobe Photoshop CS4 with Wacom Intuos tablet.

Art and story © Elizabeth Staley 2010-2011

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